THe perfect mix takes the perfect songs takes hours days weeks of hunting at festivals on soundcloud in blogs at my friends sets on beatport for those songs that to me are perfect and then to find lots of them in different genres, sometimes I think it would be easier to make them, but the perfect songs are the ones that never clear the dance floor that the 40 yearold lady and the 20 yearold burner are into, the perfect songs to me are the ones people who dont even know what glitch hop or dubstep is love, and those songs are like needles in a haystack.
As a artist, songwriter and producer Dj’ing has become a great way to really learn what works and doesnt I figured out with singing what works and doesnt, and some of the songs I write are not dance songs, but rather then limit myself to a box I choose electronica as a box its a big box, with lots of options, i understand why so many DJs produce and what so many people who kill it as a DJ were musicians or producers first. But if you make electronic music you pretty much have to be a DJ now, or else you’ll be living at your moms house or girlfriends like so many do or have, because it seems people who love electronic music are also super geeks and figured out how to get it all for free. My first record moved enough for me to think I could just stay at home and hide behind my computers and make music, but then the industry changed and I realized I had to come out.
I was painfully shy, I used to not be then had been torn to pieces by people and situations which in retrospect did it to control me, but in my head I just was afraid of the lions dean the sharks and the wolf pits so I would be really open and share my life art and music through a screen cause I could be hidden in a castle away from the sharks on the otherside and if someone was mean I would just delete it . Real lifes not like that, but I realized I had to play out on a stage or else I was never going to evolve.
I was terrified I mean getting on a stage where lots of people are looking at you is intense, more so when all you knew was people trying to tear you off the stage from your past, so my first incarnation was in a band full of very intense men, who to me were like a army and I felt safe in there, until that world had its own internal complications and I knew I had to evolve again, then I partnered up with another person who I viewed as strong and safe, and I wasnt alone on the stage, and it lasted and I grew and then I knew I had to go to another level… but this one was alone, I realized if i was ever going to reach my goals or mainfest my dream I had to let go of my fear of getting eaten alive and put myself out there…
When I was 18 I used to DJ all my records and gear was stolen along with all my cds and it was so painful to lose it all for I had modeled and worked around the clock to afford it I was a runaway I had to figure it all out I couldn’t afford to replace it and there was no way to replace the records so many were rare,I just let it all go, and focused on singing producing and songwriting then I realized I could fuse it all together my love for DJ’ing, my songwriting, my productions, my love for electronic music and hybrid all of it together for a live show.
My obsession was now not only with writing great songs, working on great productions, being a present performer but also with infusing all the DJ skills into the mix and fusing the ability to read a crowd with the ability to mix on the spot ( my sets are never pre programmed I practice mixing live allot so I can do it in real time so I can make love to a crowd and respond as they respond ) but then my obsession became finding or making stuff that I wanted to play which people seemed to want to hear, which had soul and feeling even if it was “dance music”
Blending all of it together is something I obsess over, just like obsessing on growing and evolving, I spend most of my time, practicing, rehearsing, writing, recording, performing, promoting music, booking gigs, hunting for music, learning new tecnology or making money to fund things I want to do, in that obsession I have learned allot what it really takes, the time it takes the focus it takes and how a hit is a hit, be it s hook or on the dance floor and a hit is music people feel in there souls and that has enough presence in it to last and go home with them, I find when I am hunting music for my DJ music what inspires me to keep it and maybe play it and what makes me skip to the next song, and I find that if I want to skip my own song I need to go back to the drawing board….
I was first trained as a classical pianist and that is pretty intense its about perfection, its about you training till you can play it perfectly, then I was a dancer same theory, hours weeks of training before doing shows, then I was a singer in NYC working with the labels and producers who all were about mastering your craft for 3 years I worked with a vocal coach for hours a day, I’ve written hundreds of songs I bury, and only recently have I stopped burying them all, because half the time I am never completely satisfied with my work I ALWAYS see how I can be better i ALWAYS SEE how I can write a better song, do a better mix sing better perform better produce mix better and I have had to have others tell me to get the fuck over it cause I can always see a way to make things better… and if I didn’t have amazing people I respected telling me it was good I would bury all my art mixes and work to be found only after i died….
But for me to not train obsessively to not work around the clock in a attempt to master the instrument ( my body mind and spirit ) so I can deliver it is a insult to the gift, and to the source.
But the fear I learned from the sharks and wolves is what I have to get over and finding that balance is sometimes difficult. For I never want to go into the fighting ring until I have trained to fight have the muscles and know I have a chance of not getting destroyed… but what I didn’t realize for years was I could only train in the ring, and the ring is the stage is the releases is when I walk in naked with nothing but me and my friends have co created….
The first time I stepped into the ring, my heart raced I was all alone and it was then I realized it was already in me, it always had been I just had to get in the ring and take the risk of getting beat down, and if I did get beat down get up and go right back to the ring. Meanwhile spending all the hours besides eating, sleep, making love, to training learning and mastering the disciplines it takes to not only write good songs, and sing good songs and perform them fully present, but to making amazing music, …. training my mind body and spirit so when I am there I can really connect and dive in…
Once on stage there is no turning back there is no exit if I lose the crowd I lose the fight, it means I didn’t connect with them, it means I am not communicating with them, and understanding that goes way beyond making beats, its much deeper then playing the top 10 songs on beatport, when I make or look for music for me its about finding stuff that connects somehow be it about our human adventures or our spiritual ones, and I don’t care whats popular, I care about what people feel and what i feel be it in my own music or in a dubstep mix…anyone who choses to make music for a living and survives these days has to have a deep love and passion for it, but I also know how hard it is to finish a record when your working a full time job or trying to figure out how to eat, and so this work is one I do out of love, for the music for the gift and for those moments when someone comes up to me and i see it moved them they danced they cried they felt…..
because under it all
I spent my whole childhood reflecting on trying to find a way to keep people from getting eaten by the nothingness and I thought about being a missionary, or a healer, then I realized art be it visual or musicial can act like a electrical surge to the heart to the spirit and we as artist are like conduits between the source and humanity and if we use our gifts we can cut through things almost impossible to cut through without art acting as the conduit …. and so I decided to be a artist,
And I lived through and saw some very intense things and understand why so many choose to disconnect from source, when we get really hurt its hard sometimes to know how to talk how to heal or how to share that
but music can offer a way to express things be it through dance or just by connecting to anothers soul and source through it that can help release that and alchemize it
and so when people dance i hope I am giving them a release for whatever then need it for and so
its always been a challenge between the “industry” “ego” and trying to be a good conduit…
and now back to my obsession

























































































































































